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Some union characters finally smashed the thing open and fished the CD out and he tipped them mighty good, but he's still got an hour-and-a-half drive ahead of him back to Santa Fe in his Dodge pickup — that is, after he figures out just where and how we're going to while away the next few hours together. He's seriously tired and in some kind of mood, and let's respect that, roll with it, because the hours he's keeping here in New Mexico have just been preposterous. wake-up calls he's grimly endured on the set of “Appaloosa.” And the locals hired to work Mortensen's cowboy picture (who plainly adore him) say they've never seen such a hard-partying cast and crew as the Appaloosans, and God only knows what happened last night, but there he goes again. This is his only day off and it kind of got shot and he didn't get to do some stuff he really wanted to do, and then, his obscure Argentine-concert CD got stuck in the player inside his trailer, because he's never not two-timing the movies with all the rest of his esoteric interests.He has one son, Henry, from a while-ago only marriage to pink-haired punk-rock-pioneer Exene Cervenka.Now a sophomore attending a good college in New York City, Henry has a history-of-punk radio show he deejays. He sort of interacts with people more easily — or he's more interested in doing so.In David Cronenberg's “A History of Violence,” he is Tom Stall, an upstanding family man who has somehow, somewhere learned to break a man as easily as he pours him a cup of coffee at his diner.Called back from the reserves to star in Cronenberg's “Eastern Promises,” Mortensen is Nikolai the chauffeur, whose tattoos advertise a moderately successful, mid-level career in the Russian mafia while the wraparound shades mask surprising humanitarian impulses.

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In the business, he's that worldly poetic soul who can do credible justice to gangland Russian, Sioux, or Elvish dialects. That guy who never kills anyone who doesn't need killing.

The Russian underworld types he found to school him in their ways finally relaxed "once they realized I wasn't going to make fun of them," he says. "We kind of worried he'd never come back and we'd never find out what happened to him, until we'd probably find him running the country eventually," says Cronenberg, who insists Mortensen "takes the best out of Method and leaves the bullshit behind." As Aragorn, a caped crusader in “The Lord of the Rings” trilogy, he supposedly slept for weeks in his medieval getup.

Cronenberg suggests this had less to do with any Methodmania (as was conjectured) than it was an attempt to render the costume less obviously a costume.

Mortensen is justly celebrated in Hollywood for how he telegraphs both, which are reading in his face right now.

A face rendered (almost) unrecognizable with that distracting droop of a Wild West mustache, the familiar starburst cleft in his chin forested over by a neat beard.

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