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Carlton’s multilayered vocals in ‘The One’ take on a rich close harmony that could tie the Puppini Sisters in knots, and ends the song with a remarkably wistful coda.
‘My Best’ shimmers with a lullaby feel, filled with the sweet chimes of an electric piano to create a very pleasing track, and proving that, when she tries, Carlton can be very impressive.
Rasputina have been called a lot of things in their time: cello rock, gothic and that all-purpose label, ‘alternative’.
True, the band doesn’t fit comfortably into any definable genre, a fact that contributed to their years in the vast unsigned musical wilderness.
My mother had a coveted collection of Patsy Cline 45s and my father spent Saturday nights attempting to get an old AM radio to tune into a Nashville radio station that would broadcast the Grand Ole Opry.
Sadly, this quiet mastery is shattered by needless drums for the last two minutes, wrecking what could otherwise have been a welcome recognition that innovation is at least as important as convention.
While in recent years, ACL has moved way from being a country and folk showcase into more current and relevant music, it still keeps to its roots of strong performances and is more successful today than ever.
So it was with pleasure that I picked up the live disc from Neko Case at Austin City Limits in Austin, TX.
However, she has international fame and a somewhat slavishly devoted fan-base to rely on, whereas Miss Carlton is – for now, at least – dancing at the fringes of being a one-hit wonder.
So, will see her storming back from her long holiday from public recognition with a smash-hit single? Vanessa Carlton might not be over and done with, but if she wants to justify Gotti’s faith – and prove A&M wrong – she will have to throw in a little more variety and forget the winning formula of ‘A Thousand Miles’.