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If, therefore, we disagree with Sir Laurence Olivier over this or that, it doesn’t matter in the least, except as a proof of the play’s astonishing vitality.

What does matter is that one of the masterpieces of the stage has been made into one of the greatest of films – but great, I must add, rather because of content and acting, than because the film, as a film, is faultless.

Roger Purse’s sets have an impressive spaciousness, a grim solidity.

(Two distinguished dramatic critics agreed that they had never found the rampart scenes so excitingly real, apart from the frightful hollow booming of the Ghost.) But the castle’s size, once established, could have been taken for granted.

The specific term furry fandom was being used in fanzines as early as 1983, and had become the standard name for the genre by the mid-1990s, when it was defined as "the organized appreciation and dissemination of art and prose regarding 'Furries', or fictional mammalian anthropomorphic characters".

However, fans consider the origins of furry fandom to be much earlier, with fictional works such as Kimba, The White Lion released in 1965, Richard Adams' novel Watership Down, published in 1972 (and its 1978 film adaptation), as well as Disney's Robin Hood as oft-cited examples.

The dropping of Rosencrantz and Guildenstern helps, of course, and one notes that he adopts the practice – no older, I believe, than Kean – of making Hamlet follow his brutal dismissal of Ophelia with a kiss.

Purists may object, too, to the dropping of important characters, the transfer of their lines to others, some changes of sequence and the substitution of words.During the 1980s, furry fans began to publish fanzines, developing a diverse social group that eventually began to schedule social gatherings.By 1989, there was sufficient interest to stage the first furry convention.It may sound an odd and ungrateful thing to say of a man who had made two superb films running, but the truth is that Olivier still uses the camera to achieve effects that a stage producer might aspire to if his stage were big enough and money no object.His work will gain a great deal when he learns to forget stage entrances and the slow gathering of players, and cut or dissolve from one scene to another in full course.

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